Word and Image.
Aug. 19th, 2008 12:01 am![[identity profile]](https://www.dreamwidth.org/img/silk/identity/openid.png)
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"Otaguro's hands were large, though emaciated, and the sharp report of their clapping was as if the palms, like hollowed, rough-hewn cedar planks, had entrapped pure atmosphere, and crushed it with an explosive burst of divinity."
Words quoted from Runaway Horses, the second book of Yukio Mishima's greatest work of art, the tetralogy The Sea of Fertility.
Yukio Mishima, the greatest writer ever, had a soul of a samurai right until his end.
no subject
Date: 2008-08-19 07:34 pm (UTC)With poetry, it seems to me that the good writers use the restraints to show that they are nevertheless not restrained (confined), perverse though that sounds.
Yes, art is intrinsically individual but the attributes and the appreciation tend to transcend genre and medium. Language is paint is song etc.
So, you draw. Good! Perhaps I can look forward to you drawing the image then in another W&I post - maybe a Gackt lyric or quote from an interview taken onward & upward by your pencil?
It would be good to see more of your thinking expressed when you felt moved to offer something.
no subject
Date: 2008-08-19 07:37 pm (UTC)Unfortunatly (?), I am not so inclined to insult Gackt by ever drawing him (realistically, stylised is okay). Perhaps something abstract thats connected to him, but not him himself.
no subject
Date: 2008-08-19 07:50 pm (UTC)no subject
Date: 2008-08-19 07:53 pm (UTC)no subject
Date: 2008-08-19 08:12 pm (UTC)