ext_9416 (
karadin.livejournal.com) wrote in
gackt_army2008-11-17 11:09 am
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U'Den Flame Works - 5 years featuring Bujingai and Moonchild
U'Den Flame Works, a stunt coordination company, is commemorating the 5th Year Anniversary
"SHOWREEL 2003" will be up on this blog for a limited time only, Gackt appears in the video (for his BUJINGAI commercial) and HYDE in fight sequences from MOON CHILD
http://blog.livedoor.jp/uden1/archives/51298006.html
Yuji Shimomura (Action Director) has worked with Gackt on numerous occasions. :)
He was a stunt coordinator for the movie MOON CHILD.
Bujingai cm
RETURNER PV
Gackt's Kouhaku performance
and visited Gackt's Dojo!
thank you Pixiezdust for the info!
"SHOWREEL 2003" will be up on this blog for a limited time only, Gackt appears in the video (for his BUJINGAI commercial) and HYDE in fight sequences from MOON CHILD
http://blog.livedoor.jp/uden1/archives/51298006.html
Yuji Shimomura (Action Director) has worked with Gackt on numerous occasions. :)
He was a stunt coordinator for the movie MOON CHILD.
Bujingai cm
RETURNER PV
Gackt's Kouhaku performance
and visited Gackt's Dojo!
thank you Pixiezdust for the info!
no subject
I found the rest of the footage interesting too. The Japanese and Korean wirework/body stunts have always appeared to me quite old-fashioned compared to the Chinese and I've attributed this to the different nature of traditional theatre in China. For example, traditional Chinese theatre doesn't use puppets to the same degree (though Tawainese does, oddly) but has always made extreme demands on live performers in terms of acrobatics and balance and highwire action. (If you've ever seen the Chinese State Circus you'll know what I mean!) From the earliest days, this physical component to an actor's training translated very naturally to film/movie stunts (as with Jackie Chan who was sent to a traditional theatre school as a boy) i.e. it was already mainstream, whereas, in other countries perhaps, it was a bit more of a specialism.
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